The Wild Girls is a book for writers. It’s a book for girls who don’t always follow the rules and for girls who play with spotted newts. As a girl who enjoys writing, newts, and occasional rule-breaking, I fell in love immediately.
Pat Murphy tells the story of two girls — the rule-following Joan (aka Newt), who just moved to California from Connecticut and has always written the kinds of stories she thought her teacher would like, and Sarah (aka Fox), who hangs out throwing rocks in the woods near the run-down house where she lives with her dad, a motorcycle-writer-guy who doesn’t fit the image of any dad Joan has ever known. Fox and Newt form the kind of bond that can only be forged in secret clearings and treehouses, and together, they weather the storms of family trauma and trying (or not) to fit in among their peers. More than anything, though, they learn about writing and about the power of story to help us see truth — especially when truth is different from the story that the grownups are dishing out.
Joan and Sarah call themselves the Wild Girls — thus the title — and through this new sense of self, they’re able to confront questions that always lurked in the shadows before. This book reminds me of Clarissa Pinkola Estes’ Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. Women Who Run With the Wolves is non-fiction aimed at adult readers, but the spirit of the two books feels the same.
There are so many fantastic moments in The Wild Girls. My copy is riddled with Post-It notes marking my favorite passages. One of them comes when Azalea, a colorful character Joan meets during a writing class on the Berkeley campus, offers her a chance to try walking on stilts.
I hesitated, thinking about it. “I don’t know. I’d probably fall.”
Azalea frowned fiercely, shaking her head. “That is the wrong attitude. That’s a Failure of the Imagination.” When she said that, I heard it in capital letters. By her tone, I knew that a Failure of the Imagination was a terrible and contemptible thing. “All it takes to walk on stilts is imagination. If you believe that you can walk on stilts, then you can.” She looked at me. “What do you think?”

What do I think? I think I after reading this book, I could walk on stilts…or finish my WIP…or jump across a stream…or…or….just about anything. It’s empowering in that way, and that makes it a perfect choice for kids, especially girls who love to read and write.





When the guy on the radio made that announcement at 6:15 this morning, it was like having someone knock on the door with a batch of cookies, eight hours, a pile of books, and a warm blanket all wrapped up in a bow.
This story begins Emma Jean Lazarus opens a door. Literally, it’s the door to the girls’ bathroom at school, where she finds Colleen Pomerantz (a kind, sensitive girl and not one of the usual 7th grade criers) sobbing over a problem with a friend. Figuratively, it’s the door we all open when we make the sometimes scary decision to reach out to another human being. This is a big deal for all of us, but especially for Emma Jean, who’s one of those brilliant, wise-beyond-her-years kids who seems to watch everything from the sidelines. She reminds me a lot of Lisa Yee’s Millicent Min, Girl Genius. Because Emma Jean is brilliant at math and logic, just like her father who died two years ago, she uses logic to find solutions to her classmates’ problems, with results that are hilarious and heartwarming.
This is one of those books that sneaks up on you. It caught me off guard. Based on some positive reviews I’d read and the back cover blurb, I expected it to be cute. I thought I’d kind of like it. I didn’t expect to be so swept up in Mildred’s quest to grow the perfect giant pumpkin that I was tempted to ignore my 7th period English class today.
I’ve read quite a bit of historical fiction set in Nazi Europe, but SOMEONE NAMED EVA by Joan M. Wolf takes a look at a part of World War II that I never knew about. Eva is really Milada – a young Czech girl who has blond hair and blue eyes that allow her to pass as a German. The Nazis raid her village and steal her from her family; they take her name, her language, and her very identity in an attempt to remake her into one of them. 