
Can’t forget about Bruce!

Friday supper company that made my son SO jealous… From left, Nancy Werlin, Peter and Jo Knowles
(
), Cindy Faughnan, and Cindy Lord (
) We had a terrific conversation about book covers and how they come to be, with PhotoShop, stock images, and chain store input. It was fascinating (and somewhat alarming for an author whose first title is coming out this fall, cover TBA!).
Stephen Fraser with the Jennifer DeChiara Literary Agency chats with a SCBWI conference goer.
Tanya Lee Stone shows off her latest YA novel.
Alexis O’Neill (on the left… that’s me helping her hold books) gave a terrific and energetic program on
school visits. I’d love to be a kid at one of her presentations!
From the “you-never-know-who-you’ll-run-into” file…. Julie Berry, on the right, walked up to me at the conference to re-introduce herself. Her older sister Joanna Gardner, also a talented writer, was my best friend when we were kids. We lost touch after high school and reconnected just a few weeks ago when I found her website. Julie and her friend Ginger live and write in Massachusetts now, and Julie’s “first line” won terrific praise from the editors and agent who responded to it. (Conference attendees, remember the one that started with the girl in the willow tree, saying “You didn’t come…”) Way to go, Julie! And way to go, Joanna, whose poetry is getting well-deserved attention. She was a great writer in 7th grade, too…
Sid Fleischman, a gifted writer AND magician, worked his magic on us at his Saturday keynote.
SCBWI members shared their new titles at the Members’ Book Display outside the ballroom.
How cool is a conference that sets out a MOUNTAIN of brownies during the break?
Jo Knowles, Carrie Jones, and Cindy Faughnan take time to catch up during a break.
The book signing room was a busy place on Saturday afternoon!
It was AMAZING to meet so many LJ friends in person. Have a great writing week!
What a whirlwind! I got home from the New England SCBWI Conference late last night, sleepy but inspired. I’m a huge fan of Letterman’s Top Ten lists, so here are:
10. “A good manuscript will find a home.” Quoted from Stephen Fraser‘s Friday keynote address, this is a great reminder that we don’t need to worry about bells, whistles, or fancy letterhead when sending work to an agent. The writing speaks for itself.
9. Agents ARE looking for a good concept, uncharted territory, strong story, great characters, and an attitude that is professional, confident, and humble.
8. Unless you’re J.K. Rowling, be prepared to market your own book. (More on that in my notes.)
7. Remember that you’re not marketing for the moment. Your marketing should focus on how you want to be known as a writer. Susan Raab of Raab Associates had great advice on how to approach this.
Now the top of the list…the actual writing tips!
6. There are two ways to fail with a children’s book, according to Bruce Coville. (who has a NEW website!)
-Make it so rich and dense it doesn’t get their attention.
-Go right where the kids are and get their attention, but don’t take them anywhere else, to a higher level.
5. If you want to write picture books, read a hundred of them, then choose your ten favorites and copy them by hand. Coville says you’ll learn the rhythm that way and learn how it works.
4. Coville’s recipe for a good story: Take someone you like and get him or her in trouble. Then let your character solve the problem himself or herself at the end.
3. Less is more. Pat Lowery Collins reminded us to eliminate everything that doesn’t move the plot forward or reveal character.
2. When you’re writing backstory, Sarah Aronson suggests two ground rules.
-Think about content. Is it really worth interrupting your story for this?
-Think about length. Keep it short!
1. Children listen to stories. (I’m back to Bruce Coville — one of the most incredible storytellers I’ve ever met.) Stories lead us to have more empathy for one another, and as a result, stories have the potential to save us and heal our world. What better reason to write.
If you weren’t at the conference but would like more, you can read my conference notes. These are by no means a full transcript — just some tidbits that I found useful, or inspirational, or interesting.
Susan Raab, Raab Associates – Your Marketing Playbook: Start Early to Get in the Game
Marketing Questions & Answers Panel with Stephen Fraser, Alexandra Penfold from Simon & Schuster, Yolanda LeRoy from Charlesbridge, and Theresa Howell from Rising Moon & Luna Rising.
Sarah Aronson – Back Talk! The Art of Backstory and the Simple but Elegant Flashback
The New England SCBWI Conference starts tomorrow! Yay!!
I’ve had so many late writing nights this week that I just fell asleep in the middle of a sentence while I was reading the first Harry Potter aloud to my daughter. (Right at the part where Hagrid shows up at the door of the shack in the storm, too!) I still have to pack clothes, charge my laptop and phone, Mapquest the hotel, and a lot of other things that I wrote down on a list that I seem to have misplaced. Ohhh!
Look for a long post with lots of pictures when I get back!
If you haven’t read The Double Bind, it’s a literary psychological thriller — the kind of book where you make prediction after prediction and smile smugly to yourself, only to fall on the floor when you find out the real deal. As soon as I finished reading, I was compelled to look back at about five different parts of the book.
It was fabulous to talk with Chris about our thoughts and connections with his novel — and even greater to hear how this amazing book came to life. Chris told us about the eight drafts and four different points of view that he worked through before putting this book to bed. It was worth every minute of revision.
We’re planning our next field trip — to hear Chris read from his current work-in-progress at the Burlington Book Festival on September 15th. (I’m reading from my middle grades historical novel Spitfire and presenting a families workshop the next day as part of the children’s strand of the festival, and I still can’t quite get over the fact that my name will be on the same program!)
On top of his gift for writing, Chris is one of the most interesting, down-to-earth, and genuine people I’ve ever met. What a terrific night. I’m convinced the world would be a happier, more peaceful place if we’d all sit around and talk about books more often.
I love these tiny fern plants. They remind me of newborn babies — all alien-looking and new.
We saw these gorgeous dark red Trillium plants all over.
There were a couple other cars at the trailhead, but we ended up having the summit to ourselves.
Check out the colors in these clouds!
On a hike around the summit, we found another rocky clearing where someone had created a garden of rock sculptures. It reminded me of a trip my husband and I took to Vancouver, BC. When we were biking around Stanley Park, we turned a corner and saw an incredible inuksuk (We didn’t know what it was called at the time; we thought it was just a big fancy pile of rocks.) It’s an Inuit tradition used as a directional marker. Sometimes today, we were told, they ‘re built for spiritual reasons, too, to remember and honor people.
Cool, huh? We added a few stones to these and left them to surprise another group of hikers.
Missing horn still missing.
Horns on roof still all gunky.
Babysitter pulled out of the driveway yesterday, stopped, rolled down her car window and and said, “Umm… Are those horns on your roof?” She thought maybe they were some sort of primitive good luck charm.
I’m preparing a school presentation for my MG historical novel Spitfire, which is set during the American Revolution. The main character carries her father’s powder horn throughout the story. It’s etched with his drawings and maps and is an important symbol in the book, so I thought, “Hey, wouldn’t it be cool if I made a real powder horn to show kids?” I mentioned this to the life science teacher at my school, who also raises heifers in her spare time. Last week, she showed up at my classroom door with a bag of bloody (and still quite hairy) cow horns that she had just removed from some of “her girls.” (I thought only bulls had horns, but it turns out that’s not true.) She put them in my little refrigerator (“Don’t worry, they’re triple bagged,” she said.) until I could take them home to boil them, which she thought would probably take care of all the gunk still inside.
I boiled them in a big pot on my grill burner for two hours, but the gunk showed no signs of releasing its grip on my horns. Thank God for online reenactor groups, because from their bulletin boards, I learned that boiling was not the answer. I needed to leave the horns outside for several weeks, maybe months, until insects and things ate away the gunk so that I could remove the core (a bit of bone inside the actual horn) and get to work making my powder horn. So I left my four horns outside in my back yard and went in to put the kids to bed.
The next morning, there were only two horns left. I’m terribly worried that one of the older women in my neighborhood is going to have a coronary when she sees her dog chewing something and says, “What’s that you have, Buddy?” only to find a bloody cow horn with sinister looking black hair all around it. But wait – there’s more.
with the Summer Shape-up was just what I needed to get moving on my current middle grades work in progress. It’s working wonders. I’ve written just over 11,000 words in the past week. What a great idea and a great gift to fellow writers! Thanks!
Working has made me a little less impatient for the release my MG historical novel, Spitfire, this fall. The last time I hated waiting this much was when I was a week overdue for the birth of my daughter. On a happy note, though, Art Cohn from the Lake Champlain Maritime Museum sent me a lovely note about the book’s release. LCMM does an amazing job promoting Lake Champlain heritage and reaches out to school groups with the most lively, innovative museum programs I’ve ever seen. Museum educators there were a huge help when I was researching Spitfire. I’m on my own now with the waiting, though…